| Bibliography | David Clutton | |||
| Details | Week | Status | Library # | Notes |
| Black Book “Art and Fashion”. | 2 | ? | 701.85 | |
| Brown, David. (1997). Cybertrends: Chaos, Power and Accountability in the Information Age. Penguin Books. | 3 | ? | WOKING | |
| Gill, Lorraine. ? Line is Manmade. | 3 | ? | ||
| Hall, Stuart. ? Representation. | 3 | ? | 306/HAL | |
| Holzschlah, Mary E. (2002). Colourful Websites. Rotovision. | 3 | ? | ||
| Jury, Sam. The Distance Between Us. Catto Contemporary. | 3 | ? | ||
| The Manmade World. | 2 | ? | 600/HOL | |
| Ashton, Dore. (1972). Picasso on Art. Thames and Hudson. | 3 | DONE | 709.46/PIC | |
| Cotton, Bob and Oliver, Richard. (1997). Understanding Hypermedia. Phaidon. | 8 | DONE | 003.52/COT | Re. M.Povell |
| Machotka, Pavel. (1996). Landscape into Art: Cezanne. Yale University Press. | 3 | DONE | 759.4/CEZ | |
| Weinburg, Steven. (1993). Dreams of a Final Theory. Hutchinson. | 3 | DONE | NOTES | |
| Abrams, Illena and Ziauddin, Sardar. (1999). Introducing Chaos. Totem Books. | 3 | DONE | NOTES | |
| Hubbard, John. (1985). The Breath of Nature. Museum of Modern Art Oxford. | 3 | DONE | 759.13/HUB | PHOTOS |
| Lynton, Norbert. (2000). William Tillyner: Against the Grain. 21 Publishing. | 11 | GOT | 759.2/TIL | Research Methods, (Epsom) |
| Prinzhorn Collection. (1997). Beyond Reason: Art and Psychosis. Hayward Gallery. | 11 | GOT | 701.15/HAY | Research Methods, (Epsom)…mentions Klee |
| (2001). Greed: Gut Feelings, Growth and History. Polity. | 10 | NO | 178/ROB | |
| Digital Aesthetics. | 7 | NO | 306.46/CUB | FARNHAM |
| Electronic Cultures. | 7 | NO | 303.4833/DRY | FARNHAM |
| Foucalt, Michel. (1983). This is not a Pipe. University of California Press. | 6 | NO | 759.4/MAG | |
| Gombrich, E.H. (1972). Art, Perception and Reality. John Hopkins University Press. | 4 | NO | 701.17/GOM | |
| Gombrich, E.H. (1972). Symbolic Images. Phaidon. | 4 | NO | 709.024/GOM | |
| Gombrich, E.H. (1976). Symbolic Images. Thames and Hudson. | 4 | NO | 751.73/GOM | |
| Gombrich, E.H. (1976). The Heritage of Apelles. Phaidon. | 4 | NO | 709.024/GOM | |
| Gombrich, E.H. (2002). The Preference for the Primitive. Phaidon. | 4 | NO | 709.024/GOM | |
| Interpreting Nature. | 7 | NO | 306.45/SIM | FARNHAM |
| Ivins, William Mills. (1973). Rationalisation of Sight. Da Capo Press | 2 | NO | 701.82031/IVI | |
| Mirzoeff, Nicholas. (1998). Visual Culture Reader. Routledge. | 3 | NO | 306.47/MIR | |
| Mysterious Coincidences. | 11 | NO | 779.9942/PHO | Research Methods, (Epsom) |
| Piaget, Jean. (1959). The Language and Thought of The Child. Routledge. | 10 | NO | 155.4/PIA | Children |
| Society and Nature | 3 | NO | ||
| The Cyber-culture Reader. | 7 | NO | 303.46/BEL | FARNHAM |
| The Global Village. | 7 | NO | 302.234/MCL | FARNHAM |
| The Utopian Function of Art and Literature | 3 | NO | ||
| Buckminster Fuller, R. (1972). Intuition. Doubleday. | 10 | OUT | 153.44/FUL | |
| Bain, George. (1982). Zoomorphic. Stuart Titles Ltd. | 6 | PCOPY | 709.364/BAI | Zoomorphics |
| Baker, Robin. (1993). Designing the Future. Open University Press. | 3 | PCOPY | 601/CRO | |
| Ball, Philip. (2001). The Self-made Tapestry. Pattern formation in nature. Oxford University Press. | 3 | PCOPY | 516/BAL | |
| Barnet, S.A. (1970). Instinct and Intelligence. Penguin. | 10 | PCOPY | 591.51/BAR | |
| Bois, Yve-Alain. (1998). Matisse & Picasso Flammation. | 3 | PCOPY | 709.22/MAT | |
| Briggs, John. (1994). Fractals: The Patterns of Chaos. Thames and Hudson. | 3 | PCOPY | 516/BRI | |
| Drabble, Margaret. (1991). What Do We Know About Willie Lot? Modern Painters. pp.40-45. | 13 | PCOPY | DT/RM Essays | |
| Feyerabend, Paul K. (1988). Farewell to Reason. Verso Books. | 3 | PCOPY | 153.43/FEY | |
| Field, Marcus. (1999). Future Systems. Phaidon. | 6 | PCOPY | 724.6/FIE | Zoomorphics |
| Gadamer, Hans-George. (1986). The Relevance of the Beautiful. Canbridge University Press. | 3 | PCOPY | 701.17/GAD | |
| Gilbert-Rolfe, Jeremy. (1999). Beauty and the Contemporary Sublime. Amworth Press. | 3 | PCOPY | 701.17/GIL | |
| Gombrich, E.H. (1963). Meditations on a Hobbyhorse. Phaidon. | 4 | PCOPY | 700.1/GOM | |
| Gombrich, E.H. (1966). Norm and Form. Phaidon. | 4 | PCOPY | 709.024/GOM | |
| Gombrich, E.H. (1979). Ideals and Idols. Phaidon. | 4 | PCOPY | 700.1/GOM | |
| Gombrich, E.H. (1982). The Image and the Eye. Phaidon. | 4 | PCOPY | 701.15/GOM | |
| Gombrich, E.H. (1999). The Uses of Images. Phaidon. | 4 | PCOPY | ||
| Hardy, A.V and Monkhouse, F.J. (1974). The Manmade Landscape. Cambridge University Press. | 3 | PCOPY | 914.2/MON | |
| Harrison, Robert. (1977). Eccentric Spaces. Secker and Warburg. | 10 | PCOPY | 700.1/HAR | |
| Hughes, Robert. (1968). Heaven and Hell in Western Art. Weidenfeld & Nicholson. | 12 | PCOPY | Design Theory | |
| Hughes, Robert. (1980). The Shock of the New. Thames & Hudson. | 12 | PCOPY | Design Theory, MORE…inc. Klee, Vinci | |
| Huntley, H.E. (1970). The Divine Proportion. Dover Publications. | 3 | PCOPY | 701.82 | |
| Ivins, William M. (1964). Art and Geometry: A Study in Space Intuitions. Dover. | 10 | PCOPY | 701.81/IVI | |
| Jencks, Charles. (1972). Adhocism. Secker and Warburg. | 11 | PCOPY | Research Methods, (Epsom) | |
| Kerckhove, Derrick de. (1994). Design, Interactivity and the production of meaning. In: Myerson, Jeremy ed. Design Renaissance, pp.153-6. Open Eye Publishing. | 3 | PCOPY | 745.4/DES | |
| Koestler, Arthur. (1964). The Act of Creation. Hutchinson. | 11 | PCOPY | Research Methods, (Epsom) | |
| Laurel, Brenda. (1990). The Art of Human Computer Interaction. Addison. | 8 | PCOPY | 004.19/LAU | Re. M.Povell |
| Macnaghten, Phil and Urry, John. (1998). Contested Natures. Sage. | 6 | PCOPY | 304.2/MAC | Zoomorphics |
| Malik, Kenan. (2000). Man, Beast and Zombie. Weidenfeld and Nicholson. | 10 | PCOPY | 153.2/MAL | |
| Mandlebrot, Benoit B. (1982). The Fractal Geometry of Nature. WH Freeman & Co. | 3 | PCOPY | 516/MAN | |
| Meyer, Richard. (2001). Representing the Passions. Getty Research Institute. | 10 | PCOPY | 700.1/MEY | inc. Viola Passions |
| Nicholson, Simon. (1976). Interactive Art and Play. Open University Press. | 9 | PCOPY | 155.418/NIC | |
| Owen, Kelly. (1996). Digital Creativity. Calouste Gulbenkian Foundation. | 6 | PCOPY | 303.4834/FEL | Zoomorphics |
| Pawley, Martin. (1998). Future Systems. ICA. | 6 | PCOPY | 725/ICA | Zoomorphics |
| Philips. (1996). Visions of the Future. Philips. | 6 | PCOPY | 333.7/VIS | Zoomorphics |
| Piaget, Jean. (1951). Play, Dreams and Imitation in Childhood. Routledge. | 10 | PCOPY | 155.4/PIA | Children |
| Roth, Richard & Susan. (1998). Beauty is Nowhere. G&B Arts. | 3 | PCOPY | ||
| Simmons, I.G. (1993). Interpreting Nature. Routledge | 12 | PCOPY | Design Theory | |
| Soper, Kate. (1996). Nature/'nature'. In: Robertson, George et al ed. Future Natural, pp.22-34. Routledge. | 3 | PCOPY | 304.2/ROB | |
| Warry, J.G. (1962). Greek Aesthetic Theory. Methuen. | 3 | PCOPY | ||
| Wells, Robert. (1998). The Dream Garden. In: Wood, John. ed. The Virtual Embodied. pp.149-156. Routledge | 8 | PCOPY | 128/WOO | Re. M.Povell |
| Woudhuysen, James. (1994). In defence of the Enlightenment. In: Myerson, Jeremy ed. Design Renaissance, pp.127-133. Open Eye Publishing. | 3 | PCOPY | 745.4/DES | |
| Robins, Kevin. (1996). Cyberspace and the World We Live In. In: Dovey, John. ed. Fractal Dreams. Lawrence and Wishant. | 3 | PCOPY | GOT | |
| Koestler, Arthur. Sleepwalkers: a history of a man's changing vision. | 11 | RE | AST520.9 | Research Methods, (Various) |
| Pomphrett, Dean. SIAD Dissertation. | 4 | READ | ||
| (1968). Cybernetic Serendipity: The Computer and The Arts. Studio International. | 10 | 700/REI | same time as fractals...IMAGERY | |
| (1996). 'Future Nature'. Routledge. | 7 | 333.7/ADA | FARNHAM, esp. Ch14 pp.218-35 Art and Science in Chaos | |
| (1999). Desire by Design. Cutting Edge. | 4 | 303.483/CUT | FARNHAM | |
| (1999). The Magic of Trees. Hatje Cantz Publishers. | 3 | |||
| Aesthetic grounds as Usability | 8 | Re. Callum | ||
| All Work and No Play. | 12 | 306.48082/DEE | Design Theory | |
| Allison, Brian. (2001). Research Skills for students. Rogan Page. | 4 | |||
| Anatomy of Desire: Instinct. London Ch4 2002 | 10 | Video/ANA | ||
| Archigan? | 8 | Re. Callum | ||
| Ascott, Roy. Electronic Culture. | 3 | 302.4, 303.4 | ||
| Ashton, Dore. Selection of Views. | 1 | 709.46/PIC | ||
| Bartez. | 4 | 153.32/BAR | ||
| Bateson, Gregory. Theory of Logical Types. | 8 | Re. Callum | ||
| Berry, Ralph. (1996). The Research Project. Routledge. | 4 | |||
| Bird, J. Mapping the Futures. From Space to Place and Back Again. Harvey, D. Reflections on the condition of Post-modernity. | 6 | 598/BUR | Zoomorphics FARNHAM | |
| Bodies of Nature. | 7 | 304.201/MAC | FARNHAM | |
| Bouma, Gary. (1993). The Research Process. Oxford University Press. | 4 | |||
| Brown, Stuart. (1989). Conceptions of Enquiry. Routledge. | 4 | |||
| Burke. 19th Century Pie? | 8 | Re. M.Povell | ||
| Buzan, Tony. (1997). The Mind Map Book. BBC Books. | 4 | |||
| Children | 13 | 704 | DT/RM Essays, Farnham | |
| Classic Concept of Decorum? | 8 | Re. M.Povell | ||
| Clutton, David (2001). Recipe for Utopia. BA essay. Reading College. | pre | |||
| Clutton, David (2003). Beauty and the Beast. BA essay. Reading College. | pre | |||
| Clutton, David (2003b). Non-rational Devotion. MA essay. SIAD. | 11 | |||
| Clutton, David (2003c). The English Garden. MA essay. SIAD. | 12 | |||
| Cowell, F.R. (1978). The Garden as a Fine Art. Weidenfeld & Nicholson. | 12 | Design Theory | ||
| Coyne, Richard. (1999). 'Technoromantisicm' Digital Narrative, Holism, and the Romance of the Real. MIT Press. | 7 | 303.483/COY | FARNHAM, Ref. Only esp. Ch1 pp.18-45 Digital Utopias | |
| Criticism and the Growth of Knowledge. | 11 | 501/LAK | Research Methods, (Epsom) | |
| Cutting Edge (The Women's Research Group) ed. 'Desire by Design' Body, Territories and New Technologies. Tauris. | 7 | 303.483/CUT | FARNHAM, 7Day. esp. pp.183-202 Dender, Space and the 'Nature' of Virtual Reality | |
| Dobry, Gary. (2003). Truth in Painting. http://www.onthecanvas.com/truthinpainting.htm November 13th 2003. | pre | |||
| Drawing on the Right Side of the Brain. | 11 | 741/EDW | Research Methods, (Epsom) | |
| Envisioning Information | 8 | Re. Callum | ||
| Eun Nim Ro. http://www.culturebase.net/artist.php?85 | 1 | |||
| Fabienne Verdier. http://www.chris-kutschera.com/A/Fabienne%20Verdier.htm . | 1 | |||
| Feyerabend, Paul K. Against Method. | 12 | 191/FEY | Design Theory...pp.14,49 adhoc | |
| Fiske. Reading the Beach. In: Reading the Popular. | 12 | 306.4/FIS | Design Theory...Re. A.Beard | |
| Foucalt, Michel. Madness and Civilisation. | 11 | 930.85/FOU | Research Methods, (Epsom) | |
| Gestalt Theory | 8 | Re. Callum | ||
| Gombrich, E.H. (1950). The Story of Art. Phaidon. | 4 | 709/GOM | ||
| Gombrich, E.H. (1959). Art and Illusion. Phaidon. | 4 | 701.15/GOM | ||
| Gromola, Diane. Biomorphic | 8 | Re. ROB | ||
| Hall, Stuart. Representation. | 5 | |||
| Harris, John. (ed.) (1979). The Garden. New Perspectives Publishing Ltd. | 12 | Design Theory | ||
| Hawking, Stephen. (1995). A Brief History of Time. Bantam. | 2 | |||
| Hill, Geoffrey. (1978). For the Unfallen. Andre Deutsch. | 11 | 821/HIL | Re. M.Billam | |
| Hill, Geoffrey. (1978). Tenebrae. Andre Deutsch. | 11 | 821/HIL | Re. M.Billam | |
| Hot and Cool. 302.23/MCL | 12 | Design Theory...'I don't explain, I explore' | ||
| http://web.mit.edu/ | 3 | |||
| http://www.ctheory.net | 3 | |||
| http://www.pixelwhispers.org | 3 | |||
| http://www.rhizome.org | 3 | |||
| http://www.tamu.edu | 1 | Cezanne, Matisse, Picasso: | ||
| http://www.wetcanvas.com | 1 | Cezanne, Matisse, Picasso: | ||
| http://www.yugop.com | 8 | Re. Callum | ||
| Hughes, Robert. Culture of Complaint: The Fraying of America. | 11 | WOR973 | Research Methods, (Various) BR SN | |
| Hughes, Robert. Frank Auerbach. | 11 | ART759AUE | Research Methods, (Various) RD | |
| Hughes, Robert. Nothing if not critical. | 11 | ART700 | Research Methods, (Guildford) | |
| Hughes, Robert. The Shock of the New | 11 | Video/SHO(1-8) | Re. M.Billam | |
| Hughes, Robert. Visions of Space. BBC2 Monday 24th November 2003. | 11 | Re. M.Billam | ||
| Hyams, Edwards. (1966). The English Garden. Thames and Hudson. | 12 | Design Theory | ||
| Interface Culture: How new technology transforms the way we create and communicate | 8 | Re. Callum | ||
| Jenkins, Simon. Against the grain: Writings of a sceptical…. | 11 | LIT824JEN | Research Methods, (Guildford) | |
| John Cage and David Rothenbergh. http://thinkpop.org/html/85radio_stories.asp . | 1 | |||
| Johnson, Paul. (1997). To Hell with Picasso. | 3 | 082/JOH | ||
| Kamiya, Gary. (1997). Hughes' Views. http:///www.salon.com/may97/interview970523.html May 2003. | 11 | Research Methods, (Epsom) | ||
| Koestler, Arthur. (1972-4?). The Roots of Coincidence? | 11 | Re. M.Billam | ||
| Koestler, Arthur. Ghost in the Machine. | 11 | PHI128.3 | Research Methods, (Guildford) | |
| Koestler, Arthur. The Act of Creation. | 11 | 152.35/KOE | Research Methods, (Epsom) | |
| Leavis, F.R | 7 | FARNHAM, (re. Callum) | ||
| Linn Done | 1 | |||
| Lloyd-Wright, Frank | 8 | Re. Callum | ||
| Lyon, David. (1988). 'The Information Society' Issues and Illusions. Polity Press. | 7 | 303.483/LYO | FARNHAM, esp. Ch8 pp.142-158 Information, Ideology and Utopia. | |
| Maeda, John. Maeda and Media | 8 | Re. Callum | ||
| Makoto, Yoshida. (1997). Landscape Transcripts: Landscape and Urban Artworks. | 3 | |||
| Mans Rage for Chaos. | 11 | 701.15 | Research Methods, (Epsom) | |
| Marshal, Peter. (1997). Research Methods. How to Books. | 4 | |||
| Material Culture: Contested Landscapes. | 12 | 306/BUC | Design Theory | |
| Milton, Kay. (2002). 'Loving Nature' Towards an Ecology of Emotion. Routledge. | 7 | 304.2/MIL | FARNHAM | |
| Moor, Nick. (2001). Hot to do Research. Library Association Publishing. | 4 | |||
| Nachume Miller | 1 | |||
| Negroponte, Nicholas | 8 | Re. Callum | ||
| Norman, D.A. (1998). The Psychology of Everyday Objects. Basic Books | 8 | Re. Callum | ||
| O'Keefe, Georgia. http://www.artchive.com/artchive/O/okeefe.html . | 3 | |||
| Parikh, Jagdish. (1994). Intuition: The New Frontier of Management. Harvard Business School. | 11 | Research Methods, (Epsom) | ||
| Pearce, Peter. (1980). Structure in nature as a strategy for design. MIT Press | 3 | 513.3/PEA | ||
| Picasso: Magic, sex & death. | 2 | Vid/PIC | ||
| Platitudes, Windmills and Full-moon Raptures. | 4 | |||
| Radio Futura. In chaos there is no error. | 4 | |||
| Reading Images. | 4 | 302.222/KRE | ||
| Schon, Donald. (2000). The Reflective Practitioner. Ashgate. | 4 | |||
| Science, Order and Creativity. | 11 | 501/BOM | Research Methods, (Epsom) | |
| Sharma, Simon. Sensing Landscapes?. BBC | 8 | Re. M.Povell | ||
| Signs, Symbols and Ciphers. | 12 | 302.222/JEA | Design Theory, Maps | |
| Sontag. Susan. Against Interpretation. | 12 | 306.47 | Design Theory | |
| Spretniac, Charlene. 'The Resurgence of the Real' Body, Nature and place in a Hypermodern World. | 7 | 303.4/SPR | FARNHAM, 7 Day esp. Ch5 pp.181-216 Embracing the Real | |
| Steiner, Wendy. (2001). The Trouble with Beauty. William Heinemann. | 3 | |||
| Stevens, Peter. (1974). Patterns in Nature. Little Brown & Co. | 3 | 516/STE | ||
| Stokes, Adrian. A Game that must be Lost. | 11 | 701.15 | Research Methods, (Epsom) | |
| Stokes, Adrian. The Image in Form. | 11 | 701.15 | Research Methods, (Epsom) | |
| Surviving Picasso. | 2 | Vid/PIC | ||
| The Human Mind. (2003). BBC1. 21.00.1st October 2003. | 11 | Research Methods, (Epsom) | ||
| The Human Mind. (2003). BBC1. 21.00.1st October 2003. | 3 | |||
| The Landscape of Man. | 12 | 711.09/JEL | Design Theory | |
| The Poetics of Space. | 12 | 165/BAC | Design Theory...esp. pp.211 outside-inside-doors-boundaries | |
| Tillmans, Wolfgang. Central line 2001. BBC. | 3 | |||
| Understanding Hypermedia. | 7 | 003.52/COT | FARNHAM | |
| Virtual Culture: Identity and Communication in Cyber-society | 8 | Re. Callum | ||
| Visual Thinking. | 12 | 152.14 | Design Theory...P.Klee inllustration | |
| Wertheim, Margaret. 'The Pearly Gates of Cyberspace' A History of Space from Dante to the Internet. Virago Press. | 7 | 306.46/WER | FARNHAM, 7 Day esp. Ch8 pp.281-306 Cyber Utopia | |
| Wikipedia. (2003). Negative Capability. http://en.wikipedia.org/wiki/Negative_Capability 30th May 2003. | 11 | Research Methods, (Epsom) | ||
| Wisker, Gina. (2001). The Postgraduate Research Handbook. Palgrave Study Guides. | 4 |
| Black Book “Art and Fashion”. | 2 | ? | 701.85 | |
| Brown, David. (1997). Cybertrends: Chaos, Power and Accountability in the Information Age. Penguin Books. | 3 | ? | WOKING | |
| Gill, Lorraine. ? Line is Manmade. | 3 | ? | ||
| Hall, Stuart. ? Representation. | 3 | ? | 306/HAL | |
| Holzschlah, Mary E. (2002). Colourful Websites. Rotovision. | 3 | ? | ||
| Jury, Sam. The Distance Between Us. Catto Contemporary. | 3 | ? | ||
| The Manmade World. | 2 | ? | 600/HOL | |
| Ashton, Dore. (1972). Picasso on Art. Thames and Hudson. | 3 | DONE | 709.46/PIC | |
| Cotton, Bob and Oliver, Richard. (1997). Understanding Hypermedia. Phaidon. | 8 | DONE | 003.52/COT | Re. M.Povell |
| Machotka, Pavel. (1996). Landscape into Art: Cezanne. Yale University Press. | 3 | DONE | 759.4/CEZ | |
| Weinburg, Steven. (1993). Dreams of a Final Theory. Hutchinson. | 3 | DONE | NOTES | |
| Abrams, Illena and Ziauddin, Sardar. (1999). Introducing Chaos. Totem Books. | 3 | DONE | NOTES | |
| Hubbard, John. (1985). The Breath of Nature. Museum of Modern Art Oxford. | 3 | DONE | 759.13/HUB | PHOTOS |
| Lynton, Norbert. (2000). William Tillyner: Against the Grain. 21 Publishing. | 11 | GOT | 759.2/TIL | Research Methods, (Epsom) |
| Prinzhorn Collection. (1997). Beyond Reason: Art and Psychosis. Hayward Gallery. | 11 | GOT | 701.15/HAY | Research Methods, (Epsom)…mentions Klee |
| (2001). Greed: Gut Feelings, Growth and History. Polity. | 10 | NO | 178/ROB | |
| Digital Aesthetics. | 7 | NO | 306.46/CUB | FARNHAM |
| Electronic Cultures. | 7 | NO | 303.4833/DRY | FARNHAM |
| Foucalt, Michel. (1983). This is not a Pipe. University of California Press. | 6 | NO | 759.4/MAG | |
| Gombrich, E.H. (1972). Art, Perception and Reality. John Hopkins University Press. | 4 | NO | 701.17/GOM | |
| Gombrich, E.H. (1972). Symbolic Images. Phaidon. | 4 | NO | 709.024/GOM | |
| Gombrich, E.H. (1976). Symbolic Images. Thames and Hudson. | 4 | NO | 751.73/GOM | |
| Gombrich, E.H. (1976). The Heritage of Apelles. Phaidon. | 4 | NO | 709.024/GOM | |
| Gombrich, E.H. (2002). The Preference for the Primitive. Phaidon. | 4 | NO | 709.024/GOM | |
| Interpreting Nature. | 7 | NO | 306.45/SIM | FARNHAM |
| Ivins, William Mills. (1973). Rationalisation of Sight. Da Capo Press | 2 | NO | 701.82031/IVI | |
| Mirzoeff, Nicholas. (1998). Visual Culture Reader. Routledge. | 3 | NO | 306.47/MIR | |
| Mysterious Coincidences. | 11 | NO | 779.9942/PHO | Research Methods, (Epsom) |
| Piaget, Jean. (1959). The Language and Thought of The Child. Routledge. | 10 | NO | 155.4/PIA | Children |
| Society and Nature | 3 | NO | ||
| The Cyber-culture Reader. | 7 | NO | 303.46/BEL | FARNHAM |
| The Global Village. | 7 | NO | 302.234/MCL | FARNHAM |
| The Utopian Function of Art and Literature | 3 | NO | ||
| Buckminster Fuller, R. (1972). Intuition. Doubleday. | 10 | OUT | 153.44/FUL | |
| Bain, George. (1982). Zoomorphic. Stuart Titles Ltd. | 6 | PCOPY | 709.364/BAI | Zoomorphics |
| Baker, Robin. (1993). Designing the Future. Open University Press. | 3 | PCOPY | 601/CRO | |
| Ball, Philip. (2001). The Self-made Tapestry. Pattern formation in nature. Oxford University Press. | 3 | PCOPY | 516/BAL | |
| Barnet, S.A. (1970). Instinct and Intelligence. Penguin. | 10 | PCOPY | 591.51/BAR | |
| Bois, Yve-Alain. (1998). Matisse & Picasso Flammation. | 3 | PCOPY | 709.22/MAT | |
| Briggs, John. (1994). Fractals: The Patterns of Chaos. Thames and Hudson. | 3 | PCOPY | 516/BRI | |
| Drabble, Margaret. (1991). What Do We Know About Willie Lot? Modern Painters. pp.40-45. | 13 | PCOPY | DT/RM Essays | |
| Feyerabend, Paul K. (1988). Farewell to Reason. Verso Books. | 3 | PCOPY | 153.43/FEY | |
| Field, Marcus. (1999). Future Systems. Phaidon. | 6 | PCOPY | 724.6/FIE | Zoomorphics |
| Gadamer, Hans-George. (1986). The Relevance of the Beautiful. Canbridge University Press. | 3 | PCOPY | 701.17/GAD | |
| Gilbert-Rolfe, Jeremy. (1999). Beauty and the Contemporary Sublime. Amworth Press. | 3 | PCOPY | 701.17/GIL | |
| Gombrich, E.H. (1963). Meditations on a Hobbyhorse. Phaidon. | 4 | PCOPY | 700.1/GOM | |
| Gombrich, E.H. (1966). Norm and Form. Phaidon. | 4 | PCOPY | 709.024/GOM | |
| Gombrich, E.H. (1979). Ideals and Idols. Phaidon. | 4 | PCOPY | 700.1/GOM | |
| Gombrich, E.H. (1982). The Image and the Eye. Phaidon. | 4 | PCOPY | 701.15/GOM | |
| Gombrich, E.H. (1999). The Uses of Images. Phaidon. | 4 | PCOPY | ||
| Hardy, A.V and Monkhouse, F.J. (1974). The Manmade Landscape. Cambridge University Press. | 3 | PCOPY | 914.2/MON | |
| Harrison, Robert. (1977). Eccentric Spaces. Secker and Warburg. | 10 | PCOPY | 700.1/HAR | |
| Hughes, Robert. (1968). Heaven and Hell in Western Art. Weidenfeld & Nicholson. | 12 | PCOPY | Design Theory | |
| Hughes, Robert. (1980). The Shock of the New. Thames & Hudson. | 12 | PCOPY | Design Theory, MORE…inc. Klee, Vinci | |
| Huntley, H.E. (1970). The Divine Proportion. Dover Publications. | 3 | PCOPY | 701.82 | |
| Ivins, William M. (1964). Art and Geometry: A Study in Space Intuitions. Dover. | 10 | PCOPY | 701.81/IVI | |
| Jencks, Charles. (1972). Adhocism. Secker and Warburg. | 11 | PCOPY | Research Methods, (Epsom) | |
| Kerckhove, Derrick de. (1994). Design, Interactivity and the production of meaning. In: Myerson, Jeremy ed. Design Renaissance, pp.153-6. Open Eye Publishing. | 3 | PCOPY | 745.4/DES | |
| Koestler, Arthur. (1964). The Act of Creation. Hutchinson. | 11 | PCOPY | Research Methods, (Epsom) | |
| Laurel, Brenda. (1990). The Art of Human Computer Interaction. Addison. | 8 | PCOPY | 004.19/LAU | Re. M.Povell |
| Macnaghten, Phil and Urry, John. (1998). Contested Natures. Sage. | 6 | PCOPY | 304.2/MAC | Zoomorphics |
| Malik, Kenan. (2000). Man, Beast and Zombie. Weidenfeld and Nicholson. | 10 | PCOPY | 153.2/MAL | |
| Mandlebrot, Benoit B. (1982). The Fractal Geometry of Nature. WH Freeman & Co. | 3 | PCOPY | 516/MAN | |
| Meyer, Richard. (2001). Representing the Passions. Getty Research Institute. | 10 | PCOPY | 700.1/MEY | inc. Viola Passions |
| Nicholson, Simon. (1976). Interactive Art and Play. Open University Press. | 9 | PCOPY | 155.418/NIC | |
| Owen, Kelly. (1996). Digital Creativity. Calouste Gulbenkian Foundation. | 6 | PCOPY | 303.4834/FEL | Zoomorphics |
| Pawley, Martin. (1998). Future Systems. ICA. | 6 | PCOPY | 725/ICA | Zoomorphics |
| Philips. (1996). Visions of the Future. Philips. | 6 | PCOPY | 333.7/VIS | Zoomorphics |
| Piaget, Jean. (1951). Play, Dreams and Imitation in Childhood. Routledge. | 10 | PCOPY | 155.4/PIA | Children |
| Roth, Richard & Susan. (1998). Beauty is Nowhere. G&B Arts. | 3 | PCOPY | ||
| Simmons, I.G. (1993). Interpreting Nature. Routledge | 12 | PCOPY | Design Theory | |
| Soper, Kate. (1996). Nature/'nature'. In: Robertson, George et al ed. Future Natural, pp.22-34. Routledge. | 3 | PCOPY | 304.2/ROB | |
| Warry, J.G. (1962). Greek Aesthetic Theory. Methuen. | 3 | PCOPY | ||
| Wells, Robert. (1998). The Dream Garden. In: Wood, John. ed. The Virtual Embodied. pp.149-156. Routledge | 8 | PCOPY | 128/WOO | Re. M.Povell |
| Woudhuysen, James. (1994). In defence of the Enlightenment. In: Myerson, Jeremy ed. Design Renaissance, pp.127-133. Open Eye Publishing. | 3 | PCOPY | 745.4/DES | |
| Robins, Kevin. (1996). Cyberspace and the World We Live In. In: Dovey, John. ed. Fractal Dreams. Lawrence and Wishant. | 3 | PCOPY | GOT | |
| Koestler, Arthur. Sleepwalkers: a history of a man's changing vision. | 11 | RE | AST520.9 | Research Methods, (Various) |
| Pomphrett, Dean. SIAD Dissertation. | 4 | READ | ||
| (1968). Cybernetic Serendipity: The Computer and The Arts. Studio International. | 10 | 700/REI | same time as fractals...IMAGERY | |
| (1996). 'Future Nature'. Routledge. | 7 | 333.7/ADA | FARNHAM, esp. Ch14 pp.218-35 Art and Science in Chaos | |
| (1999). Desire by Design. Cutting Edge. | 4 | 303.483/CUT | FARNHAM | |
| (1999). The Magic of Trees. Hatje Cantz Publishers. | 3 | |||
| Aesthetic grounds as Usability | 8 | Re. Callum | ||
| All Work and No Play. | 12 | 306.48082/DEE | Design Theory | |
| Allison, Brian. (2001). Research Skills for students. Rogan Page. | 4 | |||
| Anatomy of Desire: Instinct. London Ch4 2002 | 10 | Video/ANA | ||
| Archigan? | 8 | Re. Callum | ||
| Ascott, Roy. Electronic Culture. | 3 | 302.4, 303.4 | ||
| Ashton, Dore. Selection of Views. | 1 | 709.46/PIC | ||
| Bartez. | 4 | 153.32/BAR | ||
| Bateson, Gregory. Theory of Logical Types. | 8 | Re. Callum | ||
| Berry, Ralph. (1996). The Research Project. Routledge. | 4 | |||
| Bird, J. Mapping the Futures. From Space to Place and Back Again. Harvey, D. Reflections on the condition of Post-modernity. | 6 | 598/BUR | Zoomorphics FARNHAM | |
| Bodies of Nature. | 7 | 304.201/MAC | FARNHAM | |
| Bouma, Gary. (1993). The Research Process. Oxford University Press. | 4 | |||
| Brown, Stuart. (1989). Conceptions of Enquiry. Routledge. | 4 | |||
| Burke. 19th Century Pie? | 8 | Re. M.Povell | ||
| Buzan, Tony. (1997). The Mind Map Book. BBC Books. | 4 | |||
| Children | 13 | 704 | DT/RM Essays, Farnham | |
| Classic Concept of Decorum? | 8 | Re. M.Povell | ||
| Clutton, David (2001). Recipe for Utopia. BA essay. Reading College. | pre | |||
| Clutton, David (2003). Beauty and the Beast. BA essay. Reading College. | pre | |||
| Clutton, David (2003b). Non-rational Devotion. MA essay. SIAD. | 11 | |||
| Clutton, David (2003c). The English Garden. MA essay. SIAD. | 12 | |||
| Cowell, F.R. (1978). The Garden as a Fine Art. Weidenfeld & Nicholson. | 12 | Design Theory | ||
| Coyne, Richard. (1999). 'Technoromantisicm' Digital Narrative, Holism, and the Romance of the Real. MIT Press. | 7 | 303.483/COY | FARNHAM, Ref. Only esp. Ch1 pp.18-45 Digital Utopias | |
| Criticism and the Growth of Knowledge. | 11 | 501/LAK | Research Methods, (Epsom) | |
| Cutting Edge (The Women's Research Group) ed. 'Desire by Design' Body, Territories and New Technologies. Tauris. | 7 | 303.483/CUT | FARNHAM, 7Day. esp. pp.183-202 Dender, Space and the 'Nature' of Virtual Reality | |
| Dobry, Gary. (2003). Truth in Painting. http://www.onthecanvas.com/truthinpainting.htm November 13th 2003. | pre | |||
| Drawing on the Right Side of the Brain. | 11 | 741/EDW | Research Methods, (Epsom) | |
| Envisioning Information | 8 | Re. Callum | ||
| Eun Nim Ro. http://www.culturebase.net/artist.php?85 | 1 | |||
| Fabienne Verdier. http://www.chris-kutschera.com/A/Fabienne%20Verdier.htm . | 1 | |||
| Feyerabend, Paul K. Against Method. | 12 | 191/FEY | Design Theory...pp.14,49 adhoc | |
| Fiske. Reading the Beach. In: Reading the Popular. | 12 | 306.4/FIS | Design Theory...Re. A.Beard | |
| Foucalt, Michel. Madness and Civilisation. | 11 | 930.85/FOU | Research Methods, (Epsom) | |
| Gestalt Theory | 8 | Re. Callum | ||
| Gombrich, E.H. (1950). The Story of Art. Phaidon. | 4 | 709/GOM | ||
| Gombrich, E.H. (1959). Art and Illusion. Phaidon. | 4 | 701.15/GOM | ||
| Gromola, Diane. Biomorphic | 8 | Re. ROB | ||
| Hall, Stuart. Representation. | 5 | |||
| Harris, John. (ed.) (1979). The Garden. New Perspectives Publishing Ltd. | 12 | Design Theory | ||
| Hawking, Stephen. (1995). A Brief History of Time. Bantam. | 2 | |||
| Hill, Geoffrey. (1978). For the Unfallen. Andre Deutsch. | 11 | 821/HIL | Re. M.Billam | |
| Hill, Geoffrey. (1978). Tenebrae. Andre Deutsch. | 11 | 821/HIL | Re. M.Billam | |
| Hot and Cool. 302.23/MCL | 12 | Design Theory...'I don't explain, I explore' | ||
| http://web.mit.edu/ | 3 | |||
| http://www.ctheory.net | 3 | |||
| http://www.pixelwhispers.org | 3 | |||
| http://www.rhizome.org | 3 | |||
| http://www.tamu.edu | 1 | Cezanne, Matisse, Picasso: | ||
| http://www.wetcanvas.com | 1 | Cezanne, Matisse, Picasso: | ||
| http://www.yugop.com | 8 | Re. Callum | ||
| Hughes, Robert. Culture of Complaint: The Fraying of America. | 11 | WOR973 | Research Methods, (Various) BR SN | |
| Hughes, Robert. Frank Auerbach. | 11 | ART759AUE | Research Methods, (Various) RD | |
| Hughes, Robert. Nothing if not critical. | 11 | ART700 | Research Methods, (Guildford) | |
| Hughes, Robert. The Shock of the New | 11 | Video/SHO(1-8) | Re. M.Billam | |
| Hughes, Robert. Visions of Space. BBC2 Monday 24th November 2003. | 11 | Re. M.Billam | ||
| Hyams, Edwards. (1966). The English Garden. Thames and Hudson. | 12 | Design Theory | ||
| Interface Culture: How new technology transforms the way we create and communicate | 8 | Re. Callum | ||
| Jenkins, Simon. Against the grain: Writings of a sceptical…. | 11 | LIT824JEN | Research Methods, (Guildford) | |
| John Cage and David Rothenbergh. http://thinkpop.org/html/85radio_stories.asp . | 1 | |||
| Johnson, Paul. (1997). To Hell with Picasso. | 3 | 082/JOH | ||
| Kamiya, Gary. (1997). Hughes' Views. http:///www.salon.com/may97/interview970523.html May 2003. | 11 | Research Methods, (Epsom) | ||
| Koestler, Arthur. (1972-4?). The Roots of Coincidence? | 11 | Re. M.Billam | ||
| Koestler, Arthur. Ghost in the Machine. | 11 | PHI128.3 | Research Methods, (Guildford) | |
| Koestler, Arthur. The Act of Creation. | 11 | 152.35/KOE | Research Methods, (Epsom) | |
| Leavis, F.R | 7 | FARNHAM, (re. Callum) | ||
| Linn Done | 1 | |||
| Lloyd-Wright, Frank | 8 | Re. Callum | ||
| Lyon, David. (1988). 'The Information Society' Issues and Illusions. Polity Press. | 7 | 303.483/LYO | FARNHAM, esp. Ch8 pp.142-158 Information, Ideology and Utopia. | |
| Maeda, John. Maeda and Media | 8 | Re. Callum | ||
| Makoto, Yoshida. (1997). Landscape Transcripts: Landscape and Urban Artworks. | 3 | |||
| Mans Rage for Chaos. | 11 | 701.15 | Research Methods, (Epsom) | |
| Marshal, Peter. (1997). Research Methods. How to Books. | 4 | |||
| Material Culture: Contested Landscapes. | 12 | 306/BUC | Design Theory | |
| Milton, Kay. (2002). 'Loving Nature' Towards an Ecology of Emotion. Routledge. | 7 | 304.2/MIL | FARNHAM | |
| Moor, Nick. (2001). Hot to do Research. Library Association Publishing. | 4 | |||
| Nachume Miller | 1 | |||
| Negroponte, Nicholas | 8 | Re. Callum | ||
| Norman, D.A. (1998). The Psychology of Everyday Objects. Basic Books | 8 | Re. Callum | ||
| O'Keefe, Georgia. http://www.artchive.com/artchive/O/okeefe.html . | 3 | |||
| Parikh, Jagdish. (1994). Intuition: The New Frontier of Management. Harvard Business School. | 11 | Research Methods, (Epsom) | ||
| Pearce, Peter. (1980). Structure in nature as a strategy for design. MIT Press | 3 | 513.3/PEA | ||
| Picasso: Magic, sex & death. | 2 | Vid/PIC | ||
| Platitudes, Windmills and Full-moon Raptures. | 4 | |||
| Radio Futura. In chaos there is no error. | 4 | |||
| Reading Images. | 4 | 302.222/KRE | ||
| Schon, Donald. (2000). The Reflective Practitioner. Ashgate. | 4 | |||
| Science, Order and Creativity. | 11 | 501/BOM | Research Methods, (Epsom) | |
| Sharma, Simon. Sensing Landscapes?. BBC | 8 | Re. M.Povell | ||
| Signs, Symbols and Ciphers. | 12 | 302.222/JEA | Design Theory, Maps | |
| Sontag. Susan. Against Interpretation. | 12 | 306.47 | Design Theory | |
| Spretniac, Charlene. 'The Resurgence of the Real' Body, Nature and place in a Hypermodern World. | 7 | 303.4/SPR | FARNHAM, 7 Day esp. Ch5 pp.181-216 Embracing the Real | |
| Steiner, Wendy. (2001). The Trouble with Beauty. William Heinemann. | 3 | |||
| Stevens, Peter. (1974). Patterns in Nature. Little Brown & Co. | 3 | 516/STE | ||
| Stokes, Adrian. A Game that must be Lost. | 11 | 701.15 | Research Methods, (Epsom) | |
| Stokes, Adrian. The Image in Form. | 11 | 701.15 | Research Methods, (Epsom) | |
| Surviving Picasso. | 2 | Vid/PIC | ||
| The Human Mind. (2003). BBC1. 21.00.1st October 2003. | 11 | Research Methods, (Epsom) | ||
| The Human Mind. (2003). BBC1. 21.00.1st October 2003. | 3 | |||
| The Landscape of Man. | 12 | 711.09/JEL | Design Theory | |
| The Poetics of Space. | 12 | 165/BAC | Design Theory...esp. pp.211 outside-inside-doors-boundaries | |
| Tillmans, Wolfgang. Central line 2001. BBC. | 3 | |||
| Understanding Hypermedia. | 7 | 003.52/COT | FARNHAM | |
| Virtual Culture: Identity and Communication in Cyber-society | 8 | Re. Callum | ||
| Visual Thinking. | 12 | 152.14 | Design Theory...P.Klee inllustration | |
| Wertheim, Margaret. 'The Pearly Gates of Cyberspace' A History of Space from Dante to the Internet. Virago Press. | 7 | 306.46/WER | FARNHAM, 7 Day esp. Ch8 pp.281-306 Cyber Utopia | |
| Wikipedia. (2003). Negative Capability. http://en.wikipedia.org/wiki/Negative_Capability 30th May 2003. | 11 | Research Methods, (Epsom) | ||
| Wisker, Gina. (2001). The Postgraduate Research Handbook. Palgrave Study Guides. | 4 |
| Details | Week | Status | Library # | Notes |
| Black Book “Art and Fashion”. | 2 | ? | 701.85 | |
| Brown, David. (1997). Cybertrends: Chaos, Power and Accountability in the Information Age. Penguin Books. | 3 | ? | WOKING | |
| Gill, Lorraine. ? Line is Manmade. | 3 | ? | ||
| Hall, Stuart. ? Representation. | 3 | ? | 306/HAL | |
| Holzschlah, Mary E. (2002). Colourful Websites. Rotovision. | 3 | ? | ||
| Jury, Sam. The Distance Between Us. Catto Contemporary. | 3 | ? | ||
| The Manmade World. | 2 | ? | 600/HOL | |
| Ashton, Dore. (1972). Picasso on Art. Thames and Hudson. | 3 | DONE | 709.46/PIC | |
| Cotton, Bob and Oliver, Richard. (1997). Understanding Hypermedia. Phaidon. | 8 | DONE | 003.52/COT | Re. M.Povell |
| Machotka, Pavel. (1996). Landscape into Art: Cezanne. Yale University Press. | 3 | DONE | 759.4/CEZ | |
| Weinburg, Steven. (1993). Dreams of a Final Theory. Hutchinson. | 3 | DONE | NOTES | |
| Abrams, Illena and Ziauddin, Sardar. (1999). Introducing Chaos. Totem Books. | 3 | DONE | NOTES | |
| Hubbard, John. (1985). The Breath of Nature. Museum of Modern Art Oxford. | 3 | DONE | 759.13/HUB | PHOTOS |
| Lynton, Norbert. (2000). William Tillyner: Against the Grain. 21 Publishing. | 11 | GOT | 759.2/TIL | Research Methods, (Epsom) |
| Prinzhorn Collection. (1997). Beyond Reason: Art and Psychosis. Hayward Gallery. | 11 | GOT | 701.15/HAY | Research Methods, (Epsom)…mentions Klee |
| (2001). Greed: Gut Feelings, Growth and History. Polity. | 10 | NO | 178/ROB | |
| Digital Aesthetics. | 7 | NO | 306.46/CUB | FARNHAM |
| Electronic Cultures. | 7 | NO | 303.4833/DRY | FARNHAM |
| Foucalt, Michel. (1983). This is not a Pipe. University of California Press. | 6 | NO | 759.4/MAG | |
| Gombrich, E.H. (1972). Art, Perception and Reality. John Hopkins University Press. | 4 | NO | 701.17/GOM | |
| Gombrich, E.H. (1972). Symbolic Images. Phaidon. | 4 | NO | 709.024/GOM | |
| Gombrich, E.H. (1976). Symbolic Images. Thames and Hudson. | 4 | NO | 751.73/GOM | |
| Gombrich, E.H. (1976). The Heritage of Apelles. Phaidon. | 4 | NO | 709.024/GOM | |
| Gombrich, E.H. (2002). The Preference for the Primitive. Phaidon. | 4 | NO | 709.024/GOM | |
| Interpreting Nature. | 7 | NO | 306.45/SIM | FARNHAM |
| Ivins, William Mills. (1973). Rationalisation of Sight. Da Capo Press | 2 | NO | 701.82031/IVI | |
| Mirzoeff, Nicholas. (1998). Visual Culture Reader. Routledge. | 3 | NO | 306.47/MIR | |
| Mysterious Coincidences. | 11 | NO | 779.9942/PHO | Research Methods, (Epsom) |
| Piaget, Jean. (1959). The Language and Thought of The Child. Routledge. | 10 | NO | 155.4/PIA | Children |
| Society and Nature | 3 | NO | ||
| The Cyber-culture Reader. | 7 | NO | 303.46/BEL | FARNHAM |
| The Global Village. | 7 | NO | 302.234/MCL | FARNHAM |
| The Utopian Function of Art and Literature | 3 | NO | ||
| Buckminster Fuller, R. (1972). Intuition. Doubleday. | 10 | OUT | 153.44/FUL | |
| Bain, George. (1982). Zoomorphic. Stuart Titles Ltd. | 6 | PCOPY | 709.364/BAI | Zoomorphics |
| Baker, Robin. (1993). Designing the Future. Open University Press. | 3 | PCOPY | 601/CRO | |
| Ball, Philip. (2001). The Self-made Tapestry. Pattern formation in nature. Oxford University Press. | 3 | PCOPY | 516/BAL | |
| Barnet, S.A. (1970). Instinct and Intelligence. Penguin. | 10 | PCOPY | 591.51/BAR | |
| Bois, Yve-Alain. (1998). Matisse & Picasso Flammation. | 3 | PCOPY | 709.22/MAT | |
| Briggs, John. (1994). Fractals: The Patterns of Chaos. Thames and Hudson. | 3 | PCOPY | 516/BRI | |
| Drabble, Margaret. (1991). What Do We Know About Willie Lot? Modern Painters. pp.40-45. | 13 | PCOPY | DT/RM Essays | |
| Feyerabend, Paul K. (1988). Farewell to Reason. Verso Books. | 3 | PCOPY | 153.43/FEY | |
| Field, Marcus. (1999). Future Systems. Phaidon. | 6 | PCOPY | 724.6/FIE | Zoomorphics |
| Gadamer, Hans-George. (1986). The Relevance of the Beautiful. Canbridge University Press. | 3 | PCOPY | 701.17/GAD | |
| Gilbert-Rolfe, Jeremy. (1999). Beauty and the Contemporary Sublime. Amworth Press. | 3 | PCOPY | 701.17/GIL | |
| Gombrich, E.H. (1963). Meditations on a Hobbyhorse. Phaidon. | 4 | PCOPY | 700.1/GOM | |
| Gombrich, E.H. (1966). Norm and Form. Phaidon. | 4 | PCOPY | 709.024/GOM | |
| Gombrich, E.H. (1979). Ideals and Idols. Phaidon. | 4 | PCOPY | 700.1/GOM | |
| Gombrich, E.H. (1982). The Image and the Eye. Phaidon. | 4 | PCOPY | 701.15/GOM | |
| Gombrich, E.H. (1999). The Uses of Images. Phaidon. | 4 | PCOPY | ||
| Hardy, A.V and Monkhouse, F.J. (1974). The Manmade Landscape. Cambridge University Press. | 3 | PCOPY | 914.2/MON | |
| Harrison, Robert. (1977). Eccentric Spaces. Secker and Warburg. | 10 | PCOPY | 700.1/HAR | |
| Hughes, Robert. (1968). Heaven and Hell in Western Art. Weidenfeld & Nicholson. | 12 | PCOPY | Design Theory | |
| Hughes, Robert. (1980). The Shock of the New. Thames & Hudson. | 12 | PCOPY | Design Theory, MORE…inc. Klee, Vinci | |
| Huntley, H.E. (1970). The Divine Proportion. Dover Publications. | 3 | PCOPY | 701.82 | |
| Ivins, William M. (1964). Art and Geometry: A Study in Space Intuitions. Dover. | 10 | PCOPY | 701.81/IVI | |
| Jencks, Charles. (1972). Adhocism. Secker and Warburg. | 11 | PCOPY | Research Methods, (Epsom) | |
| Kerckhove, Derrick de. (1994). Design, Interactivity and the production of meaning. In: Myerson, Jeremy ed. Design Renaissance, pp.153-6. Open Eye Publishing. | 3 | PCOPY | 745.4/DES | |
| Koestler, Arthur. (1964). The Act of Creation. Hutchinson. | 11 | PCOPY | Research Methods, (Epsom) | |
| Laurel, Brenda. (1990). The Art of Human Computer Interaction. Addison. | 8 | PCOPY | 004.19/LAU | Re. M.Povell |
| Macnaghten, Phil and Urry, John. (1998). Contested Natures. Sage. | 6 | PCOPY | 304.2/MAC | Zoomorphics |
| Malik, Kenan. (2000). Man, Beast and Zombie. Weidenfeld and Nicholson. | 10 | PCOPY | 153.2/MAL | |
| Mandlebrot, Benoit B. (1982). The Fractal Geometry of Nature. WH Freeman & Co. | 3 | PCOPY | 516/MAN | |
| Meyer, Richard. (2001). Representing the Passions. Getty Research Institute. | 10 | PCOPY | 700.1/MEY | inc. Viola Passions |
| Nicholson, Simon. (1976). Interactive Art and Play. Open University Press. | 9 | PCOPY | 155.418/NIC | |
| Owen, Kelly. (1996). Digital Creativity. Calouste Gulbenkian Foundation. | 6 | PCOPY | 303.4834/FEL | Zoomorphics |
| Pawley, Martin. (1998). Future Systems. ICA. | 6 | PCOPY | 725/ICA | Zoomorphics |
| Philips. (1996). Visions of the Future. Philips. | 6 | PCOPY | 333.7/VIS | Zoomorphics |
| Piaget, Jean. (1951). Play, Dreams and Imitation in Childhood. Routledge. | 10 | PCOPY | 155.4/PIA | Children |
| Roth, Richard & Susan. (1998). Beauty is Nowhere. G&B Arts. | 3 | PCOPY | ||
| Simmons, I.G. (1993). Interpreting Nature. Routledge | 12 | PCOPY | Design Theory | |
| Soper, Kate. (1996). Nature/'nature'. In: Robertson, George et al ed. Future Natural, pp.22-34. Routledge. | 3 | PCOPY | 304.2/ROB | |
| Warry, J.G. (1962). Greek Aesthetic Theory. Methuen. | 3 | PCOPY | ||
| Wells, Robert. (1998). The Dream Garden. In: Wood, John. ed. The Virtual Embodied. pp.149-156. Routledge | 8 | PCOPY | 128/WOO | Re. M.Povell |
| Woudhuysen, James. (1994). In defence of the Enlightenment. In: Myerson, Jeremy ed. Design Renaissance, pp.127-133. Open Eye Publishing. | 3 | PCOPY | 745.4/DES | |
| Robins, Kevin. (1996). Cyberspace and the World We Live In. In: Dovey, John. ed. Fractal Dreams. Lawrence and Wishant. | 3 | PCOPY | GOT | |
| Koestler, Arthur. Sleepwalkers: a history of a man's changing vision. | 11 | RE | AST520.9 | Research Methods, (Various) |
| Pomphrett, Dean. SIAD Dissertation. | 4 | READ | ||
| (1968). Cybernetic Serendipity: The Computer and The Arts. Studio International. | 10 | 700/REI | same time as fractals...IMAGERY | |
| (1996). 'Future Nature'. Routledge. | 7 | 333.7/ADA | FARNHAM, esp. Ch14 pp.218-35 Art and Science in Chaos | |
| (1999). Desire by Design. Cutting Edge. | 4 | 303.483/CUT | FARNHAM | |
| (1999). The Magic of Trees. Hatje Cantz Publishers. | 3 | |||
| Aesthetic grounds as Usability | 8 | Re. Callum | ||
| All Work and No Play. | 12 | 306.48082/DEE | Design Theory | |
| Allison, Brian. (2001). Research Skills for students. Rogan Page. | 4 | |||
| Anatomy of Desire: Instinct. London Ch4 2002 | 10 | Video/ANA | ||
| Archigan? | 8 | Re. Callum | ||
| Ascott, Roy. Electronic Culture. | 3 | 302.4, 303.4 | ||
| Ashton, Dore. Selection of Views. | 1 | 709.46/PIC | ||
| Bartez. | 4 | 153.32/BAR | ||
| Bateson, Gregory. Theory of Logical Types. | 8 | Re. Callum | ||
| Berry, Ralph. (1996). The Research Project. Routledge. | 4 | |||
| Bird, J. Mapping the Futures. From Space to Place and Back Again. Harvey, D. Reflections on the condition of Post-modernity. | 6 | 598/BUR | Zoomorphics FARNHAM | |
| Bodies of Nature. | 7 | 304.201/MAC | FARNHAM | |
| Bouma, Gary. (1993). The Research Process. Oxford University Press. | 4 | |||
| Brown, Stuart. (1989). Conceptions of Enquiry. Routledge. | 4 | |||
| Burke. 19th Century Pie? | 8 | Re. M.Povell | ||
| Buzan, Tony. (1997). The Mind Map Book. BBC Books. | 4 | |||
| Children | 13 | 704 | DT/RM Essays, Farnham | |
| Classic Concept of Decorum? | 8 | Re. M.Povell | ||
| Clutton, David (2001). Recipe for Utopia. BA essay. Reading College. | pre | |||
| Clutton, David (2003). Beauty and the Beast. BA essay. Reading College. | pre | |||
| Clutton, David (2003b). Non-rational Devotion. MA essay. SIAD. | 11 | |||
| Clutton, David (2003c). The English Garden. MA essay. SIAD. | 12 | |||
| Cowell, F.R. (1978). The Garden as a Fine Art. Weidenfeld & Nicholson. | 12 | Design Theory | ||
| Coyne, Richard. (1999). 'Technoromantisicm' Digital Narrative, Holism, and the Romance of the Real. MIT Press. | 7 | 303.483/COY | FARNHAM, Ref. Only esp. Ch1 pp.18-45 Digital Utopias | |
| Criticism and the Growth of Knowledge. | 11 | 501/LAK | Research Methods, (Epsom) | |
| Cutting Edge (The Women's Research Group) ed. 'Desire by Design' Body, Territories and New Technologies. Tauris. | 7 | 303.483/CUT | FARNHAM, 7Day. esp. pp.183-202 Dender, Space and the 'Nature' of Virtual Reality | |
| Dobry, Gary. (2003). Truth in Painting. http://www.onthecanvas.com/truthinpainting.htm November 13th 2003. | pre | |||
| Drawing on the Right Side of the Brain. | 11 | 741/EDW | Research Methods, (Epsom) | |
| Envisioning Information | 8 | Re. Callum | ||
| Eun Nim Ro. http://www.culturebase.net/artist.php?85 | 1 | |||
| Fabienne Verdier. http://www.chris-kutschera.com/A/Fabienne%20Verdier.htm . | 1 | |||
| Feyerabend, Paul K. Against Method. | 12 | 191/FEY | Design Theory...pp.14,49 adhoc | |
| Fiske. Reading the Beach. In: Reading the Popular. | 12 | 306.4/FIS | Design Theory...Re. A.Beard | |
| Foucalt, Michel. Madness and Civilisation. | 11 | 930.85/FOU | Research Methods, (Epsom) | |
| Gestalt Theory | 8 | Re. Callum | ||
| Gombrich, E.H. (1950). The Story of Art. Phaidon. | 4 | 709/GOM | ||
| Gombrich, E.H. (1959). Art and Illusion. Phaidon. | 4 | 701.15/GOM | ||
| Gromola, Diane. Biomorphic | 8 | Re. ROB | ||
| Hall, Stuart. Representation. | 5 | |||
| Harris, John. (ed.) (1979). The Garden. New Perspectives Publishing Ltd. | 12 | Design Theory | ||
| Hawking, Stephen. (1995). A Brief History of Time. Bantam. | 2 | |||
| Hill, Geoffrey. (1978). For the Unfallen. Andre Deutsch. | 11 | 821/HIL | Re. M.Billam | |
| Hill, Geoffrey. (1978). Tenebrae. Andre Deutsch. | 11 | 821/HIL | Re. M.Billam | |
| Hot and Cool. 302.23/MCL | 12 | Design Theory...'I don't explain, I explore' | ||
| http://web.mit.edu/ | 3 | |||
| http://www.ctheory.net | 3 | |||
| http://www.pixelwhispers.org | 3 | |||
| http://www.rhizome.org | 3 | |||
| http://www.tamu.edu | 1 | Cezanne, Matisse, Picasso: | ||
| http://www.wetcanvas.com | 1 | Cezanne, Matisse, Picasso: | ||
| http://www.yugop.com | 8 | Re. Callum | ||
| Hughes, Robert. Culture of Complaint: The Fraying of America. | 11 | WOR973 | Research Methods, (Various) BR SN | |
| Hughes, Robert. Frank Auerbach. | 11 | ART759AUE | Research Methods, (Various) RD | |
| Hughes, Robert. Nothing if not critical. | 11 | ART700 | Research Methods, (Guildford) | |
| Hughes, Robert. The Shock of the New | 11 | Video/SHO(1-8) | Re. M.Billam | |
| Hughes, Robert. Visions of Space. BBC2 Monday 24th November 2003. | 11 | Re. M.Billam | ||
| Hyams, Edwards. (1966). The English Garden. Thames and Hudson. | 12 | Design Theory | ||
| Interface Culture: How new technology transforms the way we create and communicate | 8 | Re. Callum | ||
| Jenkins, Simon. Against the grain: Writings of a sceptical…. | 11 | LIT824JEN | Research Methods, (Guildford) | |
| John Cage and David Rothenbergh. http://thinkpop.org/html/85radio_stories.asp . | 1 | |||
| Johnson, Paul. (1997). To Hell with Picasso. | 3 | 082/JOH | ||
| Kamiya, Gary. (1997). Hughes' Views. http:///www.salon.com/may97/interview970523.html May 2003. | 11 | Research Methods, (Epsom) | ||
| Koestler, Arthur. (1972-4?). The Roots of Coincidence? | 11 | Re. M.Billam | ||
| Koestler, Arthur. Ghost in the Machine. | 11 | PHI128.3 | Research Methods, (Guildford) | |
| Koestler, Arthur. The Act of Creation. | 11 | 152.35/KOE | Research Methods, (Epsom) | |
| Leavis, F.R | 7 | FARNHAM, (re. Callum) | ||
| Linn Done | 1 | |||
| Lloyd-Wright, Frank | 8 | Re. Callum | ||
| Lyon, David. (1988). 'The Information Society' Issues and Illusions. Polity Press. | 7 | 303.483/LYO | FARNHAM, esp. Ch8 pp.142-158 Information, Ideology and Utopia. | |
| Maeda, John. Maeda and Media | 8 | Re. Callum | ||
| Makoto, Yoshida. (1997). Landscape Transcripts: Landscape and Urban Artworks. | 3 | |||
| Mans Rage for Chaos. | 11 | 701.15 | Research Methods, (Epsom) | |
| Marshal, Peter. (1997). Research Methods. How to Books. | 4 | |||
| Material Culture: Contested Landscapes. | 12 | 306/BUC | Design Theory | |
| Milton, Kay. (2002). 'Loving Nature' Towards an Ecology of Emotion. Routledge. | 7 | 304.2/MIL | FARNHAM | |
| Moor, Nick. (2001). Hot to do Research. Library Association Publishing. | 4 | |||
| Nachume Miller | 1 | |||
| Negroponte, Nicholas | 8 | Re. Callum | ||
| Norman, D.A. (1998). The Psychology of Everyday Objects. Basic Books | 8 | Re. Callum | ||
| O'Keefe, Georgia. http://www.artchive.com/artchive/O/okeefe.html . | 3 | |||
| Parikh, Jagdish. (1994). Intuition: The New Frontier of Management. Harvard Business School. | 11 | Research Methods, (Epsom) | ||
| Pearce, Peter. (1980). Structure in nature as a strategy for design. MIT Press | 3 | 513.3/PEA | ||
| Picasso: Magic, sex & death. | 2 | Vid/PIC | ||
| Platitudes, Windmills and Full-moon Raptures. | 4 | |||
| Radio Futura. In chaos there is no error. | 4 | |||
| Reading Images. | 4 | 302.222/KRE | ||
| Schon, Donald. (2000). The Reflective Practitioner. Ashgate. | 4 | |||
| Science, Order and Creativity. | 11 | 501/BOM | Research Methods, (Epsom) | |
| Sharma, Simon. Sensing Landscapes?. BBC | 8 | Re. M.Povell | ||
| Signs, Symbols and Ciphers. | 12 | 302.222/JEA | Design Theory, Maps | |
| Sontag. Susan. Against Interpretation. | 12 | 306.47 | Design Theory | |
| Spretniac, Charlene. 'The Resurgence of the Real' Body, Nature and place in a Hypermodern World. | 7 | 303.4/SPR | FARNHAM, 7 Day esp. Ch5 pp.181-216 Embracing the Real | |
| Steiner, Wendy. (2001). The Trouble with Beauty. William Heinemann. | 3 | |||
| Stevens, Peter. (1974). Patterns in Nature. Little Brown & Co. | 3 | 516/STE | ||
| Stokes, Adrian. A Game that must be Lost. | 11 | 701.15 | Research Methods, (Epsom) | |
| Stokes, Adrian. The Image in Form. | 11 | 701.15 | Research Methods, (Epsom) | |
| Surviving Picasso. | 2 | Vid/PIC | ||
| The Human Mind. (2003). BBC1. 21.00.1st October 2003. | 11 | Research Methods, (Epsom) | ||
| The Human Mind. (2003). BBC1. 21.00.1st October 2003. | 3 | |||
| The Landscape of Man. | 12 | 711.09/JEL | Design Theory | |
| The Poetics of Space. | 12 | 165/BAC | Design Theory...esp. pp.211 outside-inside-doors-boundaries | |
| Tillmans, Wolfgang. Central line 2001. BBC. | 3 | |||
| Understanding Hypermedia. | 7 | 003.52/COT | FARNHAM | |
| Virtual Culture: Identity and Communication in Cyber-society | 8 | Re. Callum | ||
| Visual Thinking. | 12 | 152.14 | Design Theory...P.Klee inllustration | |
| Wertheim, Margaret. 'The Pearly Gates of Cyberspace' A History of Space from Dante to the Internet. Virago Press. | 7 | 306.46/WER | FARNHAM, 7 Day esp. Ch8 pp.281-306 Cyber Utopia | |
| Wikipedia. (2003). Negative Capability. http://en.wikipedia.org/wiki/Negative_Capability 30th May 2003. | 11 | Research Methods, (Epsom) | ||
| Wisker, Gina. (2001). The Postgraduate Research Handbook. Palgrave Study Guides. | 4 |